JUSTIN LIEBERMAN (scroll down for French and Dutch versions, and the Property Poems)
A SENTIMENTAL JOURNEY
A Few Notes on A Sentimental Journey, in medeas res, and the set of all sets that are not sets of themselves.
I began producing these small architectural models after the housing crisis, an event in which I am intimately involved. In 2008 I abandoned my house in upstate NY. The bank hasn't yet foreclosed on it, although I stopped paying the mortgage almost a year ago. They have sent me a lot of mail, most of which I haven't opened. Now I have an apartment in Greenpoint that I use as both a home and a studio. The models are a response to these events. They are modern architecture, closer to Frank Lloyd Wright or Bauhaus architecture than the house I lived in, although the detail report for the house listed its style as "country contemporary". I was thinking of Martin Kippenberger's architectures made from shipping palettes. Someone told me they reminded them of Thomas Schütte's little buildings. I was also thinking of socialist buildings from the DDR, and referring to those in hopes of impressing my German girlfriend. She doesn't even like the DDR though, I am the one with the "Ostalgie". She likes Kippenberger though, and she is a good socialist.
I was also making pieces I called "Floor Plans" and "Property Lines" out of the same types of material as the sculptures. They are shaped metal pieces that hang on the wall, like Knoebel. Originally I was going to pair them up with the sculptures, but I decided I wanted a greater disparity of material between the sculptures and paintings. So I kept them separate and decided they would just be metal shapes. Or maybe they will remain property lines.
I call the large collages "Super-Supplementals" because they are almost completely made out of supplemental material, ie; notes pertaining to other works, drawings and photographs regarding other works, posters for events that are over, receipts for art materials, notes from ex-girlfriends, parking tickets, a special t-shirt, letters of repremand from my landlord and the administration of the university where I teach, drawings from assignments I gave my students, packaging, etc. etc. It is a bit like a T.S. Elliot poem.
The humorist George Carlin describes a house as a "pile of stuff with a cover on it". So then I decided to make the little architecture into compressed versions of the collages, by filling them with the same kind of materials I had used in the collages. I put all my old sketchbooks in there, artworks by myself and others, and many other special things that I had been saving for years. Some people were surprised to see me incorporating some of these things into my artworks, and I told them they were being fetishists. Actually, I am not so tough. Going through all these old memories made me very emotional. I am a very sentimental person. My apartment is pretty empty now, although I have a seemingly infinite supply of "stuff", much of which is packed away in a storage space upstate. Sometimes I had to change the stuff to make it fit into the sculptures, cutting it into pieces, or compressing it in other ways. There was something digestive about that process, which reminded me of Dieter Roth.
Here, in A Sentimental Journey, you are treated to an intimate view of my papers both public and private. Perhaps in rifling through my drawers, you will be charmed by the drawing of a squid I made when I was eight years old. My father was pretty attached to it.
Justin Lieberman, 2011
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JUSTIN LIEBERMAN
A SENTIMENTAL JOURNEY
Quelques considérations, in medias res, sur A Sentimental Journey et la création d’ensembles qui ne sont pas des ensembles en soi.
J’ai commencé à réaliser ces petits modèles architecturaux après la crise immobilière qui m’a touché personnellement. En 2008, j’ai quitté ma maison située au nord de l’État de New York. La banque ne l’a toujours pas saisie bien que je ne rembourse plus mon emprunt depuis environ un an. Ils m’ont envoyé d’innombrables lettres qu’à la longue je n’ouvrais même plus. Aujourd’hui, je vis et travaille dans un appartement à Greenpoint. Ces œuvres rebondissent sur ces événements. Leur architecture moderne est plus proche de celle de Frank Lloyd Wright ou du Bauhaus que celle de la maison où je vivais et qui, selon son descriptif, était pourtant de style « campagnard contemporain ». J’ai pensé aux œuvres architecturales de Martin Kippenberger, réalisées avec des palettes de transport. Quelqu’un m’a dit qu’elles lui faisaient penser aux petits immeubles de Thomas Schütte. J’ai aussi pensé aux immeubles à appartements sociaux de la RDA et envisagé de m’inspirer d’eux dans l’espoir d’impressionner ma petite amie allemande. Elle est fan de Kippenberger et une socialiste convaincue, mais elle n’aime pas la RDA. C’est moi qui souffre d’ « ostalgie ».
J’ai aussi réalisé des œuvres que j’ai qualifiées de « plans » et « limites de propriété », dans les mêmes types de matériau que mes sculptures. Elles consistent en une série de pièces métalliques de différentes formes accrochées au mur, comme certaines œuvres d’Imi Knoebel.
Au départ, j’avais l’intention de les combiner avec les sculptures, mais finalement je me suis dit qu’il valait mieux faire une distinction plus nette entre les matériaux de mes œuvres en 3D et ceux de mes œuvres en 2D. J’ai donc fait cette distinction et ai décidé que je m’en tiendrais à ces pièces de métal. Il se pourrait aussi que je m’en tienne à des « limites de propriété ».
J’ai intitulé mes collages « Super-Supplementals » parce qu’ils sont réalisés principalement avec du matériel marginal comme des notes se rapportant à d’autres œuvres, des croquis et des photos d’autres œuvres, des affiches d’événements qui ont eu lieu, des billets doux de mes ex-petites amies, des tickets de parking, un T-shirt spécial, des lettres de réprimande de mon proprio et de l’administration de l’université où j’enseigne, des dessins réalisés par mes étudiants à ma demande, des emballages, etc. Un peu comme les poèmes de T.S. Elliot.
Selon l’humoriste George Carlin, une maison est « un tas de bric et de broc avec un couvercle dessus ». J’ai donc décidé de réaliser des sculptures à l’image de mes collages en les remplissant d’objets du même type que ceux entrant dans la composition de mes collages. J’y ai donc fourré tous mes anciens carnets de croquis, des œuvres à moi et d’autres artistes et une multitude d’objets que je collectionnais depuis des années. Certaines personnes étaient surprises de voir que j’intégrais de tels objets dans mes œuvres. Je les ai taxées de fétichistes. Je ne le pensais pas vraiment... mais brasser tous ces souvenirs me rend émotif. Je suis un grand sentimental. Bien que je dispose d’une infinité d’objets, mon appartement est aujourd’hui pratiquement vide car la plus grande partie d’entre eux sont des caisses empilées dans un débarras. Parfois il m’arrive de devoir transformer ces objets, de devoir les couper ou les comprimer, afin qu’ils entrent dans mes sculptures. Ce processus, qui n’est pas sans avoir certains points communs avec celui de la digestion, me fait penser à Dieter Roth.
Dans A Sentimental Journey, je vous entrouvre la porte de mon univers intime en vous faisant découvrir une partie de mes archives privées. Peut-être qu’en fouinant dans mes tiroirs, vous serez séduit par ce calamar que j’ai dessiné à l’âge de huit ans. Mon père y était très attaché.
Justin Lieberman, 2011
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JUSTIN LIEBERMAN
A SENTIMENTAL JOURNEY
Aantekeningen bij ‘A Sentimental Journey’, in medias res, en de set van alle sets die niet uit zichzelf een set zijn.
Met deze architectuurmodelletjes ben ik begonnen na de crisis in de woningsector. Ik werd trouwens zelf het slachtoffer van die crisis.. In 2008 verliet ik mijn huis aan de rand van New York. Ongeveer een jaar geleden stopte ik met het afbetalen van de hypotheek, maar de bank heeft ze nog steeds niet geëxecuteerd. Ze stuurden mij de ene brief na de andere, maar de meeste liet ik ongeopend. Nu heb ik een appartement in Greenpoint dat ik tegelijk als woning en als atelier gebruik. De modellen zijn een reactie op deze gebeurtenissen. Het gaat om moderne architectuur die dichter bij Frank Lloyd Wright en het Bauhaus staat dan het huis waarin ik woonde, hoewel zijn stijl in het detailrapport werd omschreven als ‘landelijk eigentijds’. Ik dacht aan Martin Kippenberger en zijn pallet-architecturen. Iemand zei me dat mijn modellen hem deden denken aan de gebouwtjes van Thomas Schütte. Zelf dacht ik ook aan de socialistische architectuur van de DDR. Op die manier hoopte ik indruk te maken op mijn Duitse vriendin. Zij houdt echter niet van de DDR, ík ben degene die aan ‘Oostalgie’ lijdt. Maar ze houdt wel van Kippenberger, en ze is een goede socialiste.
De stukken die ik ‘plattegronden’ en ‘eigendomsgrenzen’ heb genoemd, zijn van hetzelfde soort materiaal als de sculpturen. Het zijn vormgegeven metalen stukken die aan de muur hangen, een beetje zoals werk van Imi Knoebel. Aanvankelijk wilde ik ze combineren met de sculpturen, maar uiteindelijk wilde ik een duidelijker onderscheid tussen het materiaal van de sculpturen en dat van de schilderijen. Dus hield ik ze apart en besliste ik dat ze niet meer zouden zijn dan metalen vormen. Het kan ook zijn dat ze eigendomsgrenzen blijven.
De grote collages noem ik ‘superaanvullingen’. Ze bestaan immers bijna volledig uit aanvullend materiaal: aantekeningen bij andere werken, tekeningen en foto’s in verband met andere werken, posters voor evenementen die al voorbij zijn, ontvangstbewijzen van aankopen van materiaal, briefjes van ex-vriendinnen, parkeerbiljetten, een speciaal T-shirt, berispingen van mijn huiseigenaar en van de administratie van de universiteit waar ik doceer, tekeningen die mijn studenten voor mij moesten maken, verpakkingen, et cetera. Ze zien eruit als gedichten van T.S. Eliot.
De humorist George Carlin beschrijft een huis ergens als ‘een hoop spullen met een deksel erop’. Van daaruit heb ik de kleine architecturen opgevat als gebalde versies van de collages: ik heb ze gevuld met hetzelfde soort materiaal als de collages. Al mijn oude schetsboeken zitten erin, kunstwerken van mijzelf en anderen, en heel wat dingen die ik jarenlang heb bijgehouden. Aan mensen die verbaasd waren dat ik sommige van deze dingen in mijn kunst verwerkte, heb ik gezegd dat ze fetisjisten waren, maar eigenlijk ben ik niet zo’n harde: de confrontatie met deze herinneringen was erg emotioneel. Ik ben een sentimenteel iemand. Mijn appartement ziet er nu vrij leeg uit, al heb ik nog meer ‘materiaal’ voorhanden – nou ja, voorhanden, het meeste zit netjes ingepakt in een opslagruimte ver weg. Soms moest ik die dingetjes veranderen om ze in de sculptuur te doen passen: ze in stukken snijden, ze samendrukken... Het was alsof ik iets aan het verteren was; Dieter Roth, weet je wel.
Hier, in ‘A Sentimental Journey’, wordt u getrakteerd op een kijkje in mijn privé- en openbare papieren. ‘Oh, wat leuk!’, zult u misschien zeggen als u in mijn laden rommelt en de tekening van een pijlinktvis ontdekt die ik heb gemaakt toen ik acht was. Mijn vader was er erg aan gehecht.
Justin Lieberman, 2011
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Property Poems by Justin Lieberman and Stephanie Weber
Bunker Oasis
DRAWER 1T-Shirt bought in Israel
T-Shirt of artist’s fatherT-Shirt of Mike
T-Shirt of JacquesMickey Mouse Sweatshirt
1 bag of wire connectorsEmpty matchbook
1 bag of picture cornersBottle cap
DRAWER 2History of the Subject box containing photographs and collages
Source image booklet for The Corrector in the High Castle
Source image booklet of facial tattoos for The Corrector in the High Castle
6 rubber poops
3 children’s drawings
Rehab drawing by Tyra Nichols
Telephone instruction manual
Vienna Actionism bootleg DVD
Realty Deposit receipt
Fire Safety Plan
Society and Cosmicism essay
Map to fabricator studios
LTTR essay (fragment)
Drawing for Pizza Hut Guillotine
Found drawing
Multiple drafts Lindsay Lohan fan letter
Diagram for A Place for Everything and Everything in Its Place
Wrapping paper
Lead paint notification
Folk Art Museum Patron Gift Award Letter
Firewire cable
Photo of Keith Moon
DVDR
The Tin Drum
Nails
Laptop Webcam Holder
Minidisc sound recordings (21) including Justin Lieberman and Friends
Zip disc sound file for The Dishwasher Song (7)
Foam letters
DV tapes for The Visitor and Bathing 2051
DRAWER 3
Kabelsalat
The Crack
Notes
Photographs from Pierre Huyghe event
Bumper sticker
Drill bit packaging
Jeffrey Farmer press release
AA meeting pamphlet
Folk Art Museum Guest passes (5)
Pencil package
Drawing on postcard
AAA Membership offer
Tampax instructions
Panasonic battery packaging
Popcorn packaging (3 parts)
Photograph of former student
Photograph Hein Koh
Photograph (signed) of serial killer Arthur Shawcross
Portrait of the Artist as a Young Woman
Photograph of Adam Something (SMFA)
Photograph of Matt Something
Punks making out
Car
Double exposure with Legos
Some guy
Drunk kids
The artist with psychedelic drink stand
Get Well card from fellow students at Yale
Moving photo
Stickers
Spa pamphlet
Hebrew pamphlet (2)
Vietnam Veterans of America pouch
Exhibition card (2 parts)
Espresso machine instructions
Extra bits
R5D4 packaging (2 parts)
Cummy Hairball comic
Sculpture Center auction ephemera (7 parts)
Vanity Fair subscription card
Veronica Janssen invite (2 parts)
Exhibition card (2 parts)
Stephanie Calais
Jew pamphlet
Renoir with google eyes
Nazis with google eyes
Andy Rooney with google eyes
Pencil drawing with google eyes (2 parts)
Exhibition card (2 parts)
Zoe Leonard pamphlet
Blue Note Jazz Club invitation (2 parts)
Comic book store « Help Wanted » flyer (4 parts)
Black and white drawing (2 parts)
Watercolor (2 parts)
Watercolor (2 parts)
ROOF
Bottom inch of Art + Auction magazine
Philippe Starck/Liebeskind Miami Beach Kunsthalle
FRONT DRAWER
Part 1 – Cow Box (Deleuze)
Communist drawing (Brecht) in 8 parts
Poem booklet (8 pages)
Student signature
Birds « Younger Than Yesterday » bootleg CD booklet
Cigarette coupon
Trisonic light bulb package (5 parts)
Postcard from Jenny Lee
Chopsticks
Artist’s catalogue (2 parts)
T-Shirt (fragment)
Zine essay by Gretchen Wagner
Magazine subscription forms (21)
Pouch from Anton Henning catalogue
Student drawing (6 parts)
Student drawing (8 parts)
Letter from Marc Jancou (2 parts)
Book catalogue cover (fragment)
Birthday card to Lauren Beck (fragment)
Folk Art Museum Membership letter
Class Roster for Brandeis
Directions google maps
Public Art Fund Publication Request
Essay on abstraction in painting (2006-11)
Quotation Fred Smith
Invitation to Columbia Open Studios
Part 2 - Reverse Cow Box
Student drawing collage (4 parts)
Student drawing collage (7 parts)
Student drawing collage (4 parts)
Dear Raindrop photocopy multiple
Student etching (fragment)
Student drawing (folded)
Key Bank Welcome folder
Sketch for Pizza Hut Guillotine
Photo collage (2)
Part 3 – Tube
Minnie Driver photo
Jacques Vidal performance photo
Toyota Ad
AA book page
Map to Grandmother’s house
Another map
Part 4
Sculpiy menorah by Lauren Beck
Alphacolor box with sculpture fragments
Lucinella by Lore Segal
Fractured Atlas artist health care material
Fitchburg Line Commuter Rail Schedule
Betty and Veronica Double Digest
Zabriskie Point VHS tape
Yellow Ruler
Letters from unfinished collaboration (HVOLB)
Notes on myth and ritual
Wedge
Envelope drawing
Cell-Tech car charger
Franklin Parasch Gallery business cards
Matches
Robert Heinlein « The Unpleasant Profession of Jonathan Hoag » (fragment)
SIDE DRAWER
GQ Style Magazine
The Question comic book
Pottery Barn Teen catalogue
Art+Auction magazine
Student drawing collage (2 parts)
Student drawing collage
Photoshop collage
Two-sided drawing: Collaboration with Tyra Nichols
Two-sided drawing
Ribbons
Poem book
Joe Fig business card
Matches
Dinosaurs Attack card
Photo of Michael Geary
Train ticket
Columbia County Film Festival ticket
BOX
Student drawing collage (12 parts)
Envelope with etchings by Ayn Cooke and others
Polaroid of Maggie
Cartoon by Greg Myers
Envelope
11 red and blue envelopes containing viewing glasses for envelopes
Yoko Ono promotional item
Poetry tube
SKINNY FRONT DRAWER
Lexapro prescription bottles (2)
Dollhouse refrigerator
Dollhouse télévision
Caulk Buddy
Compass Saw package
RIGHT SIDE DRAWER
Pliers
Light bulb
Polishing compound
Fragmin promotional pen
Cigarette butts, screws, nails, and a penny in Altoids box
Tabasco sauce
Soda eraser
Turtle filtration system modulator knob
Charcoal filter
Paintbrush package
Air freshener package
Book light
Elmex
Two S-hooks
Drill bit
Two dollars (canadian)
Metrocards
Key Foods Savings Club card
Badges
CABINET
Theory of Voiceover containing three paintings, one audio CD in handmade wooden box
Empty cigarette packs
ROOF
The Mork and Mindy Story
In/Out
DRAWER 1
Mix tapes (9) Justin Lieberman and Michael Geary
Paintings (enamel on aluminum)
Paintings (oil on cardboard)
Cast resin flower by Tory Fair
Cast resin haïr curler by Kate Levant
Poker chip
CVS Pharmacy aisle signage (18 parts)
Leonhard Cohen concert VIP passes
4x5 negatives for A Little Man and Prada
Glass negatives (Pope)
House next door burns down (10 photographs)
Traverse Point marker
Mint dental floss
Notes in pills
Bottle cap
DRAWER 2
Photographs 1997-99
Metrocards
Crayon box sculpture
Hardware packaging
Dollhouse stickers
Autoportrait with snake skins
Collages
Paintings (oil on cardboard, some)
Paintings (enamel on aluminium, some)
iPhone instructions
Hair extensions
Drawings by Mike Geary
ATM slips
Self-portrait with prosthetic eye
Student artwork collages
Rod Serling sound collage
Hi8 videocassette: Original footage from The Visitor
Mix tapes by Mike Geary: 1. Rebar Mix; 2. Grow up; 3. Clover butts streetwalker
SAW-O-GRAM no.11 (17 parts)
Photo documentation of Klansfriends production
Notes for sound component of The Dishwasher Song
Ripped to the Tits
LOWER FILE
« General Psychological Theory » by Sigmund Freud
« The Star Beast » by Robert Heinlein
« Orphans of the Sky » by Robert Heinlein
« Three Case Histories » by Sigmund Freud
NY Times with David Hammons review
« Bertolt Brecht beim Photographen »
Artforum with Wade Guyton cover
HAND-DRYER
Chop sticks packaging
Little bits in envelope
Mike Diana comic
DMV address in envelope
Paintbrush
Styrofoam peanut
UPPER FILES
File no.3
First Thought then Sustenance shooting script and storyboard
Catalogue essay
Student statements and recommendations
Painting reproductions and CV Lauren Beck
Found photos from hardcore show
Lee Lozano
Green Lantern comic
Artist’s books (2003)
File no. 9201919901876
Reference material binder for Manson Vest Recreation
Readings for class: Transgression, Abjection, Modes of Resistance
Painting (oil and acrylic on cardboard)
Collage with silkscreen (16 parts)
Drawing on gallery letterhead
Painting by Greg Myers (oil on pizza box)
File no.4
Reference material binder for Ebony, Ivory, Rubber and Dough
The Electric Mist DVD starring Tommy Lee Jones
File no.5
Drawing by Miles Huston
Reference material binder for A Complicated Story
Writings by Walter Benjamin Smith
Shipping delivery slip
Trisha Donnelly info packet
Spy Magazine article « Jerry Goes to Death Camp »
Cheney Thompson info packet
Serial killer correspondence
Text on « Hannah Weiner’s Early and Clairvoyant Journals » from Adam Pendleton
IGA promotional book
Gallery letterhead collages (7)
Student assignment
Altered student drawings
ROOF
Whale with prosthetic leg
Finitude of the Kitchen with Verticality Indicator
Etching on brick with letter to my father
Parking violation
Ribbon
Hardware list
Magnet packaging
Receipt for socks
Novelty packaging
Prescription from psychiatrist
Air freshener with packaging
Coffee (piping hot)
Those Who Live in Potato Cooker Houses Shouldn’t Throw Away Anything
Sketchbook (1994-95)
Foot massager instructions
Bierdeckel
Prescription slip
Newspaper article by my father
Museum tickets
Award Certificate to Liza Corsillo
Drawing by Jacques Vidal
Ginger Red Man
Wooden dowel
Business cards
Rewards cards
Gift cards
Membership cards
Brown Sugar packages
Bottle cap
Nozzle for expanding foam
Air compressor nozzle
Hair extension clips
Cigarette package color keys
UNDERWATER BATHYSPHERE RESEARCH STATION FOR THE STUDY OF GENETICALLY MODIFIED SUPERINTELLIGENT SHARKS
Internet bills
Reference material for Marc Jancou doll (project abandoned)
Heeb magazine
Press from PlatyTudes show
Reference material for Supplemental collages of The Corrector’s Custom Pre-fab House
Medium St.-Barth information
Found drawings
Childhood drawings by the artist
NOTEBOOK
First draft (type-written sheet) for Press release A Sentimental Journey
Typewritten sheet: Proposal to students for SAC (Student Art Collective) show
Photographs
Photocopies
Assorted crap
PROJECTOR HOUSE
DRAWER 1
Painting (oil on cardboard)
Herbert Munsell Color system
Small mirror
Dinosaurs Attack card
Sanding bit
David Hammons
Stephanie Weber
Tyra’s mom
Sue Manson by Andy Sprinkle
Charlie Ticket
The L Magazine
Liz
Novelty packaging
8-eyed Spy cassette cover
Molly
Divine (2)
« Why I love Christmas » by John Waters
Gleep
Postcard from Eve
Photos of Tyra and friends (13)
Tyra’s Jellyfish (2 photos)
Photos of the artist (3)
Exhibition card
Parasol picks (144)
Magnet packaging Walker/Guyton artwork fragment
Boru’s keys
Strippy The Friend
DRAWER 2
Sketchbook (2007)
Train ticket
Notebook (2000)
Cigarette butt
Linocuts (6)
Wood cut
Extra handle for drawer
Glacier Park souvenir penny
DRAWER 3
Emergency radio
20$ bill
Antiques magazine
Red folder: artwork Jacques Vidal
Green folder: Press releases, invitation cards
Photographs
Photographs by Boru O’Connell
Erotic book box set
Found collage Black Codes (2 parts)
Vitamix lid
Crap
Avalanche magazine May 1974
Exhibition cards from Lamontaigne Gallery
Scorched Earth invitation to contribute from Cheney Thompson
« My War » by Colby Buzzle
20$ bill
Pfeifenkerl Cyclops at home
Smashed car
DRAWER 4
Stephanie’s photo of Florence
Unopened mail
Religious tract
Soup receipt
Borders reward pamphlet
Museum School promotional pamphlet
Uniqlo Jeans tag
Elle Rose Jancou birth announcement
Shipping contract
Iggy Pop postcard from Lauren Beck
Jenny Lee postcard (2001)
Package from China
Torn paper
Found diary
Museum School Financial Aid directory with artist’s work
Hairhead Photoshop Collages (14)
Measurement sheets for large bronze tower
McDonalds play set object description (2)
Use value of DAF De Sade with artist’s notes
Poem The Core with drawing (photocopy)
Press Release
Short text: Transgression and Homosexuality
Museum of Fine Arts consultance waiver
Turtledog drawing
Children’s clothing catalogue (2003)
Oster Kitchen Supply catalogue (Gift from Konrad Klapheck)
Found art student’s notebook
Water color and collage on paper
Artist’s sketchbook (1996)
Artist’s sketchbook (2005)
DRAWER 5
Amtrak ticket Washington DC
Jacques Rancière « The Future of the Image »(Stephanie’s book)
Noam Chomsky « Manufacturing Consent »
Exhibition cards (1999)
Welded steel handle
Paint
DRAWER 6
Reproduction of unknown sculpture
Pepperidge Farm cookie package
Chopsticks
« The Destruction of Art » by Dario Gamboni
Text of unknown origin
Fuck the US Military Industrial Complex: New Helicopters for Vietnam or Afghanistan or Whatever
Milk cap pull tag
Weld-on no. 3 application device
Golf ball
Nicorette gum
Tabasco sauce
Audiocassette (unknown)
Lard « The Last Temptation of Reid »
Heart « Greatest Hits Live »
Police tour patch
Small sketchbook, class notes… (2011)
Broom handle knob
Safe-T House for Pfeifenkerl and Private Pig
SMALL DRAWER
Take-out receipt
Train ticket
The Question action figure package fragment
Silica Gel (Do Not Eat!)
Stress reliever shark promotional item
BIG DRAWER
IKEA instructions
Artist’s transcription of Brecht poem « Interrogation of the Good »
Torn paper
Crap
Ronald Reagan commemorative magazine
Yarn
Tylenol
Toothbrush cap
Shaving attachments with nose hair trimmer
Zip ties
Rubber cone
Dan Brown « The Lost Symbol »
HIDDEN DRAWER
Private Pig